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Dr. Patrick Treacy speaks at Gardener Street Elementary School

On June 22nd, humanitarian and doctor Patrick Treacy gave a moving speech in memory of Michael Jackson at Gardener Street Elementary School on Los Angeles, California. Gardener Street, the last public school attended by Michael as a child, is the site of the Michael Jackson Auditorium—as named in 1989, and then uncovered last year after seven years under cover.

Video and transcription follow.

Fifty three years ago, a young black boy was born in a small town in Indiana. This was a different time, a time when the African-American civil rights movement tried to gain freedom from oppression by white Americans.

It was also a time when the next generation of post-war Americans were growing up, the sons of soldiers who had freed prisoners from the tyranny of prison camps like Auswitch and Buchenwald, a time when all of Europe was filled with a profound and abiding gratitude to the American people.

As Elie Wiesel, a survivor of the Jewish Holocaust said in a speech to an important gathering of White House dignitaries in 1999, “Gratitude is what defines the humanity of the human being.”

And gratitude is what we should now have today for that young American black boy. His name was Michael Jackson, someone I am privileged to call my friend, somebody who often stood alone to fend for the children in the world, for the destitute, for the victims of disease and injustice.

Michael was very troubled by the suffering he saw in the world and even more to the indifference to it. His first words to me when we met were, “Thank you so much for helping the people of Africa.”

There were no airs and graces, no pomp and circumstance and his only concern was for the lives of other people who lived on a different continent than the one in which either of us were born.

I had been to Africa and seen the devastation of the plague of HIV at first hand and when we discussed it, there was tears in his eyes and he said we had to do something together for the people of Africa.

He planned to hold a great concert in Rwanda and we would fly there together in his private plane and then down to see his great friend, Nelson Mandela. Sadly, these events were not to happen and the world lost one of its great humanitarians.

In that speech, Elie Wiesel had also some words to say about indifference. He said, “To be indifferent to the suffering in the world is what makes the human being inhuman.”

For the person who is indifferent, his or her neighbour is of no consequence. Their lives are meaningless as indifference reduces the other to an abstraction. Indifference always benefits the aggressor—never his victim, whose pain is magnified when he or she feels forgotten.

Michael Jackson felt that pain, not just for the hungry children, but for himself when the people of America remained indifferent to the injustice that was perpetrated upon him making him a virtual prisoner in his own land, causing him to flee to the Middle East and eventually find solitude in Ireland, my home.

What an irony that someone who cared so much about the rest of humanity was rejected by his own. It was a pain he felt deeply and one that on occasion he discussed with me, but mostly he did not want to talk about it and I never opened those painful memories…being like him, exiles beyond the norm.

Michael Jackson was never indifferent. He brought light where there was darkness, hope where there was despair; he never turned away from cruelty when he could give compassion.

We have just started a new century, a new millennium. The first ten years have been some of the most brutal the planet has ever encountered. The century started with terrorist attacks on the World Trade Center and the Pentagon. These actions dragged this great nation into conflicts in Iraq and Afghanistan. There have been wars in over twenty countries, which cast a dark shadow over humanity: So much violence, so much pain…

If there is one thing to do today, to preserve Michael Jackson’s memory, that is not be remain indifferent to the suffering we see all around us in the World.

There are times when I feel God has abandoned this world, the terrible earthquake in Haiti where bodies were cut from building by hacksaw, the funeral undertakers in Zambia where the coffin-makers work banging nails in wood late into the night, the streets of Northern Ireland where throats are cut for pronouncing a word on a beer bottle with the wrong accent.

I have lived in Baghdad, I have been a prisoner of Saddam Hussein, I carry the war wounds of Northern Ireland and I say to you here today that there is a God who looks down on all of this wrong and he brought us Michael Jackson to help to solve it.

Over seventy years ago a ship with a human cargo of one thousand Jews was turned away from the port of St. Louis back to Nazi Germany. The ship, which was already on the shores of the United States, was sent back and the people left to the fate of the dictator.

This happened in America, a country with the greatest democracy, the most generous of all new nations in modern history. It is happening again today, with the bombing and terrorizing of innocent children on foreign shores. Don’t let it happen, stand up for the things Michael stood for, to wipe out injustice, to combat disease and try and save the planet we live in.

What will the legacy of Michael Jackson? How will he be remembered by generations as yet unborn?

Let’s be grateful to God that he sent us such an angel to live amongst us for a while and let us not be indifferent to the wrongs we see around us. If Michael ever wanted us to do one thing that would make him happy as he looks down over us today it would be not to turn away from the victims of oppression and aggression and if in doubt about ever knowing what how to act, just think: “What would Michael do?”

—Dr. Patrick Treacy; June 22nd, 2011

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Charles Thomson on Media Responsibility


Michael Jackson on stage with guitarist Jennifer Batten, 1988

Michael Jackson: It’s Time For Outlets to Take Responsibility in Covering the Rock Star
By Charles Thomson
The Huffington Post, March 2, 2010

Last week Michael Jackson’s guitarist discredited widely reported allegations about the star’s behaviour on the road. So why is the media refusing to publish her comments? British writer Charles Thomson explores media bias against black music’s biggest star.

Aging glam-rocker Gene Simmons made international headlines last month when he claimed to know that Michael Jackson had molested children. In an interview with Classic Rock, Simmons alleged that Jackson was on tape ordering alcohol for children and that during the star’s 2005 trial a travel agent had testified to importing Brazilian boys for Jackson’s amusement. He also claimed that a musician friend had quit a Jackson tour after seeing ‘boys coming out of the hotel rooms.’

What followed was a classic example of copy and paste journalism. Within hours the story had been duplicated by hundreds of blogs, forums and news websites from Australia to India to the USA. None of them had fact-checked the story before they re-hosted it. Jackson was never on tape ordering alcohol for children. There was never any testimony during his trial about young Brazilian boys. Both of these claims were easily disproven by trial transcripts.

As a relative Jackson expert, I was also unaware of any musician ever leaving one of the singer’s tours midway through. So when I sat down a fortnight ago for an interview with Jackson’s long serving tour guitarist Jennifer Batten, I ran the story by her.

She told me that no musician had ever quit a Jackson tour. Two musicians had been fired but both were let go before the show hit the road, so they couldn’t possibly have witnessed anything going on inside hotels.

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The Shocking Truth in the FBI Files

Download the complete FBI files from FBI.gov

Michael Jackson: The Shocking Truth in the FBI Files
By Deborah Ffrench
Sawf News, January 13, 2010

The one question I hear no one asking in the press or blogland in general is why was Michael Jackson taking an extreme drug? What made a relatively fit man known for abstention from the early part of his career until the mid-1990s, end his days in a made-to-measure trauma room?

A star by the age of 10, catapulted into super-stardom after the success of his first two solo albums, his dominance in the music industry coincided with the multimedia explosion of the late 1980s. One of the first of the new breed of artists to fully explore the potential of synergistic promotion of product as a vehicle to reach new audiences, by 1991 Michael Jackson, the brand, had penetrated the consciousness of the entire developed and most of the undeveloped world.

With such unprecedented accessibility came also unprecedented pressure. Pressure to maintain and exceed his own standards, constant deconstruction by the press, and emotional isolation as the gilded chains of a life lived under the microscope bound ever tighter. There is no room here to list the enormous contribution he made to the lives of children all over the globe. His efforts are a matter of public record and the information regarding them is easily obtainable on the web.

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FBI Files Support Jackson’s Innocence; Media Reports Otherwise

Download the complete FBI files from FBI.gov

FBI Files Support Jackson’s Innocence; Media Reports Otherwise
By Charles Thomson
January 2, 2010

I should begin by saying that the release of Michael Jackson’s FBI file was not motivated by any desire to damage his legacy or smear his name. Many of Jackson’s fans are understandably distrustful of the establishment which repeatedly pursued the star on trumped up charges, but the release of Jackson’s FBI file is no conspiracy. Jackson’s file was requested under the Freedom of Information Act (FOIA) and I was one of those who requested it.

The FOIA allows members of the public to request classified or unattainable information held by any public body. The act is designed to uphold democracy by allowing citizens to scrutinize anything from local government budget reports to dossiers on UFO sightings. Requests can only be turned down for a handful of reasons, including privacy issues and national security.

When I requested Michael Jackson’s FBI file, I wasn’t even sure he had one. If he did, I had no idea what I would find in it. In Sammy Davis Jr’s I found nothing but countless investigations into death threats sent to the singer. In James Brown’s, however, I found an explosive re-telling of his infamous 1988 “car chase”, which showed the authorities in a very poor light and contained numerous accusations of police brutality.

The FBI released roughly 300 pages on Jackson, constituting less than half of his overall file. The reason behind the withholding of the other half is yet to be made public, but it most likely consists of information on Jackson’s dealings with still living figures of interest to the bureau—civil rights activists like Al Sharpton and Jesse Jackson, and the various Middle Eastern businessmen and royals Michael Jackson befriended.

The released half of Jackson’s FBI file supports the star’s innocence entirely. Perhaps most notably, a lengthy report shows that when Jackson’s Neverland Ranch was raided in 2003, the FBI went over every computer seized from the property with a fine tooth comb looking for any incriminating files or internet activity. Jackson’s file contained individual summaries of the FBI’s findings for each of the 16 computers. Scrawled in capital letters across each of those 16 reports— “NOTHING”.

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Michael’s personal artist, David Nordahl

Michael Jackson’s personal artist shared pop king’s vision
Edna Gundersen, USA TODAY

SANTA FE — Artist David Nordahl was at home painting in February 1988 when the phone rang at midnight. A voice said, “This is Michael Jackson.”
Yeah, riiiight, he thought. But he quickly realized the call was no prank.

While visiting Steven Spielberg’s office, Jackson had admired one of Nordahl’s paintings of Army troops invading an Apache camp as a young corporal shielded two Indian children. Now the singer was reaching out to the painter. For art lessons.

“He asked if I taught drawing and painting,” says Nordahl, whose realist oils of 19th-century Apaches are highly prized. “I told him I didn’t, but that I’d think about it. I was really busy.”

Their hour-long conversation sparked a close friendship and working partnership that led Nordahl to abandon renown in the art world for a cloistered vocation as Jackson’s portraitist. From 1988 to 2005, Nordahl completed thousands of drawings and roughly a dozen epic commissions, seven of which were among 2,000 Jackson items in Julien’s authorized auction, which the singer sued to stop last spring.

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Top Ten Questions Everyone SHOULD Be Asking About Michael Jackson

By Brenna Chase
Originally published at Popshifter.com

Reprinted with permission

Rather than keep your eyes glued to your favorite news channel for the latest intrusive development or read another biased career retrospective on the recently deceased King of Pop, ponder these conundrums, posed by a true (frustrated) fan who pays attention to what’s really important.

10. How is it that Michael Jackson is sexy?*

Admit it, he is. His appearance(s) may be odd, but with all the different faces/styles/versions of Michael Jackson, there has got to be something there for everyone—just pick whichever one suits your particular fancy. He’s got the whole masculine/feminine, black/white, borders-all blurred-and-undefined thing going on, and he pulls it off, turning it into something ethereal that just draws you to him. He may have been a shy, seemingly asexual recluse in real life, but on stage, he will always be pure sex. The supernatural flow of his form is so completely attractive and captivating. He possesses magnetism that can’t be explained, because it can’t be compared to anything else. It’s like his public persona and bizarre behavior are the challenges, and he overcomes them when he performs by forcing you to forget about everything else.

Perhaps a better question would be: if you had never seen or been told anything about Michael Jackson before, and just heard his music, what would your first thought be upon hearing his voice? How about, “Michael, will you marry me?” He has recorded some of the sexiest songs ever made in the history of popular music. Close your eyes and listen again to “Liberian Girl,” “In the Closet,” “Human Nature,” “Heaven Can Wait,” and “Butterflies.” Pay careful attention to the words and how he phrases them. Michael Jackson is a perfect vocalist. Just as he’s playfully floating above the harmonies on his dance songs and spitting with anger in the intense ones, he is oh-so-convincingly romantic on every ballad. His last album, Invincible, is more R&B-tinged and, though often overlooked, is actually sexier than all his earlier works put together. On the smooth track “Break of Dawn,” Michael Jackson, the same guy who’s had more than his fair share of nose jobs and believes he is the modern day Peter Pan, is telling you that he wants to make love to you all night until the sun comes up, and you are more than okay with that.

Forget Justin Timberlake, forget Prince, because the King of Pop can lure you like no other. Why is everyone freaking out about if he is actually the biological father of his children, or what drugs were in his system when he died? “Michael Jackson is sexy—how and why?” should be the headline frozen at the bottom of the CNN screen which only the most qualified professionals will discuss until they’ve got some substantial answers.

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Dr. Arnie Klein interview


Michael Jackson with Jane Fonda in 1983. The red “butterfly” rash associated with lupus is clearly visible on Michael’s cheeks.

On July 8, 2009, Michael Jackson’s dermatologist of 25 years, Dr. Arnie Klein, appeared on Larry King Live. Among the topics of discussion included Michael’s affliction with vitiligo, lupus erythematosus, and chronic pain; as well as the subjects of plastic surgery and body dysmorphic disorder.

A full transcript of the program can be found here. I have chosen to directly excerpt the passages specifically relating to Michael’s health.

CNN LARRY KING LIVE
Interview with Michael Jackson’s Doctor
Aired July 8, 2009 – 21:00 ET

LARRY KING, HOST: The saga the death of Michael Jackson continues. And we welcome a very special guest tonight. Dr. Arnie Klein, they call him the dermatologist to the stars, easily the best known dermatologist in Southern California, maybe elsewhere, too. He’s Michael Jackson’s long-term dermatologist, friend and he’s a professor of medicine and dermatology at UCLA.

Doctor, how did you first meet Michael?

DR. ARNIE KLEIN, MICHAEL JACKSON’S DERMATOLOGIST: I met Michael because someone had brought him into my office. And they walked into the room with Michael. And I looked one — took one look at him and I said you have lupus erythematosus. Now, this was a long word.

KING: Lupus?

KLEIN: Lupus, yes. I mean, because he had red — a butterfly rash and he also had severe crusting you could see on the anterior portion of his scalp. I mean I always am very visual. I’m a person who would look at the lips of Mona Lisa and not see her smile. I would see the lips.

KING: Was he there because of that condition?

KLEIN: He was there only because a very close friend of his had told him to come see me about the problems he had with his skin. Because he was — he had severe acne, which many people made fun of him [for]. He used to remember trying to clean it off and he’d gone to these doctors that really hurt him very much. And he was exquisitely sensitive to pain.

So he walked into my office. He had several things wrong with his skin. So I said — and you have thick crusting of your scalp and you have some hair loss.

He says, well, how do you know this?

I said, because it’s the natural course of lupus. So I then did a biopsy. I diagnosed lupus. And then our relationship went from there.

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Foreword to Michael Jackson Conspiracy


Tom Mesereau arrives at court with Michael, 2005

Michael Jackson Conspiracy
Foreword by Thomas A Mesereau Jr.
June 1st, 2007

When I first observed journalist Aphrodite Jones at the Santa Maria, California, Courthouse in the Michael Jackson case, I turned the other direction. I wanted nothing to do with Ms. Jones. The first time my eyes met those of Ms. Jones, I threw her a deep, cold stare. If looks could kill, she was buried.

I associated Aphrodite Jones with an international media juggernaut that was heavily invested in seeing Michael Jackson convicted and destroyed. Never in my life or career had I found myself in the middle of such a crazed, dishonest, and manipulative feeding frenzy. Despite the presence of many honorable journalists, the ghost of profit seemed to overshadow much that was truthful, accurate, and careful.

Approximately one year after Michael Jackson was acquitted, I unexpectedly met Ms. Jones at an art gallery in Beverly Hills to celebrate the publication of a series of sketches of high-profile trials. For the first time, I had a candid discussion with Ms. Jones. I told her that I had watched television during the Scott Peterson trial and observed her aggressively place her head on Defense Counsel Mark Geragos’ shoulder. This appeared on all of the evening newscasts about the Peterson trial and, in my opinion, looked terrible for the defense. Nothing like this was going to happen to me.

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Understanding Vitiligo

Michael Jackson suffered from the autoimmune disease Vitiligo, which caused his skin to gradually lose pigmentation over time. For more information on this disease, please visit the American Vitiligo Research Foundation. There is a detailed discussion of Michael’s specific experiences (including his personal decision to undergo depigmentation therapy) here.

Video

Take Two: The Bashir Rebuttal Video

In February 2003, ITV (UK) and ABC (US) aired a documentary special, Living with Michael Jackson, presented by controversial British journalist Martin Bashir. The documentary, filmed over the course of eight months, was aired with extensive critical (and contradictory) commentary from Bashir and editing that can best be described as total distortion of fact.

With Bashir’s full knowledge, however, Michael had his own cameraman filming the entire time. Several weeks after the Bashir interview aired, Michael released the footage seen in Take Two: The Footage You Were Never Meant to See, hosted by Maury Povich.

The contrast between the two documentaries (both compiled from the same source material) is shocking, and a prime example of how easily the media can distort “fact” to suit any agenda.